[AI Sitcom Short]"What's Your Type?"

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# SEEDANCE 2.5 — WHAT'S YOUR TYPE? **1997 ROMANTIC SITCOM — PARIS BEDROOM — 30 SECONDS** 9:16 vertical, 30 seconds, live-action 1990s American-style romantic sitcom. A playful late-night conversation between a young mixed-race couple turns into a ridiculous argument when the girlfriend asks her boyfriend to name his celebrity crush. Authentic early-season *Friends* television aesthetics, natural American English dialogue, subtle physical comedy, warm romantic atmosphere. ## REFERENCE MAP — STRICT IDENTITY AND ENVIRONMENT LOCK **@image1 — FEMALE LEAD** The EXACT SAME 26-year-old Korean-American and White mixed-race woman from @image1. Preserve her facial identity, soft almond-shaped brown eyes, long voluminous chestnut-brown hair, natural facial proportions, pearl earrings, and luxurious ivory silk nightgown with delicate lace trim. Her matching ivory silk robe is loosely draped around her shoulders. Naturally beautiful, playful, affectionate, emotionally expressive, and slightly dramatic when jealous. Real skin pores, natural under-eye texture, fine facial hairs, subtle asymmetry, realistic lip texture, and natural complexion. **@image2 — MALE LEAD** The EXACT SAME 29-year-old Korean-American and White mixed-race man from @image2. Preserve his facial identity, masculine cheekbones, strong jawline, thick tousled brown hair, broad shoulders, and dark navy silk pajamas with fine white piping. The upper buttons of his pajama shirt are casually undone. Naturally handsome, warm, confident, affectionate, and quietly sarcastic. His humor comes from restrained facial reactions and understated delivery. **@image3 — BEDROOM** Use the EXACT bedroom architecture, furniture arrangement, window placement, bedding, and lighting from @image3. Elegant 1997 Parisian luxury bedroom. Large window overlooking the Eiffel Tower at dusk. Warm cream-colored walls, ornate traditional furnishings, luxurious ivory bedding, decorative fireplace, vintage mirrors, and soft tungsten bedside lamps. The couple lies together in the large central bed. The female lead is on the side closest to the bedside lamp she will turn off. The male lead lies beside her, closer to the opposite side. The window, Eiffel Tower, bedside tables, and room architecture remain spatially consistent throughout. ## VISUAL STYLE Authentic 1997 American television romantic sitcom image quality. Early-season *Friends*-style broadcast softness. Subtle analog grain, slightly muted warm colors, mild optical diffusion, realistic shadows, and restrained tungsten lighting. Natural human skin texture, visible pores, fine under-eye creases, realistic hair strands, subtle facial asymmetry, and believable fabric folds. No modern ultra-sharp 4K image, CGI faces, beauty-filter skin, excessive golden glow, artificial oily sheen, or glossy plastic textures. ## CAMERA DIRECTION Use predominantly stable medium two-shots and medium-wide shots. The scene should feel like a real 1990s television comedy filmed with conventional multi-camera coverage. Maintain consistent screen direction, eyelines, and bed orientation. Do not cut to a close-up after every line. Allow both actors to react naturally within the same frame. Use only a few medium close-ups to emphasize emotional reactions. No dramatic camera orbiting, excessive push-ins, fast montage, or handheld shaking. ## EXACT 30-SECOND TIMELINE ### SHOT 1 — 00:00–00:03 **Bedside medium two-shot.** The couple lies comfortably together beneath the ivory duvet. The woman rests her head against the man's upper chest, her long brown hair spilling naturally across the pillow. The man has one arm relaxed around her shoulders. She looks up at him with a playful, curious expression. **00:00–00:02 — FEMALE:** "What's your type?" He glances down at her and smiles affectionately. **00:02–00:03 — MALE:** "You." His delivery is immediate, sincere, and relaxed. ### SHOT 2 — 00:03–00:07 **Continue the same medium two-shot.** The woman lifts her head slightly from his chest and studies his face. She is not satisfied with his answer. **00:03–00:06 — FEMALE:** "No, like your dream girl." The man looks at her without hesitation. **00:06–00:07 — MALE:** "Still you." He gives her a small affectionate smile. She rolls her eyes playfully. ### SHOT 3 — 00:07–00:11 **Medium two-shot, slightly tighter composition.** The woman props herself up on one elbow, turning more directly toward him. **00:07–00:10 — FEMALE:** "Oh my god, a celebrity." Her delivery is teasing and increasingly insistent. The man immediately senses the trap. He looks at her, then briefly away. **00:10–00:11 — MALE:** "I'm not answering that." He speaks with dry amusement. ### SHOT 4 — 00:11–00:15 **Stable bedside medium shot including both faces.** The woman moves a little closer, giving him an exaggeratedly innocent smile. She lightly touches his chest. **00:11–00:14 — FEMALE:** "Just one. I won't be mad. Promise." She emphasizes "Promise" with a small reassuring nod. The man raises his eyebrows skeptically. He hesitates for a brief beat. ### SHOT 5 — 00:15–00:17 **Male medium close-up, woman partially visible in foreground.** The man exhales quietly, realizing he has been cornered. He looks toward the woman. **00:15–00:16 — MALE:** "Alicia Silverstone." He says the name casually, almost reluctantly. He immediately watches her reaction. ### SHOT 6 — 00:17–00:20 **Return to medium two-shot.** The woman abruptly lifts her head and sits upright in bed. Her silk robe slips naturally down one shoulder without changing her outfit. Her expression shifts from playful curiosity to genuine disbelief. **00:17–00:20 — FEMALE:** "Alicia Silverstone? She's blonde." She emphasizes "blonde" with incredulous frustration. The man turns his head toward her, confused. ### SHOT 7 — 00:20–00:23 **Continue the same two-shot without cutting.** **00:20 — MALE:** "So?" He raises his eyebrows slightly. The woman gestures toward her own long dark brown hair. **00:20–00:23 — FEMALE:** "I'm not blonde. So I'm not your type." Her tone is wounded, accusatory, and comically unreasonable. The man stares at her in disbelief. ### SHOT 8 — 00:23–00:27 **Wider bedside two-shot.** The man shifts slightly upright against the pillows. He looks directly at her with a mixture of disbelief and exhausted affection. **00:23–00:26.8 — MALE:** "Then why do you ask questions you don't want to hear the answers to?" His delivery is dry, genuinely confused, and slightly exasperated. The woman refuses to acknowledge his logic. She turns her head away. ### SHOT 9 — 00:27–00:30 **Bedroom medium-wide shot.** The woman reaches toward the bedside lamp on her side of the bed. She physically operates the lamp switch. The warm bedside light turns off immediately. The room becomes noticeably darker, illuminated only by faint cool ambient light from the large window. She turns her back toward the man and lies down facing away from him. She pulls the duvet toward herself with a small irritated movement. The man remains lying on his back, staring upward. He exhales silently, defeated. No additional dialogue. Hold the awkward comedic silence until exactly 30 seconds. ## STRICT CONTINUITY RULES - All dialogue must be spoken by the correct character. - No overlapping dialogue. - Maintain natural American English pronunciation. - Alicia Silverstone is the only celebrity name spoken. - The female lead has dark brown hair throughout. - The male lead remains in navy silk pajamas. - The female lead remains in ivory silk nightwear. - Both actors stay in the same bed for the entire film. - No unexplained changes in body position. - The woman begins reclining against the man and only sits upright after hearing the celebrity name. - The bedside lamp stays on until the final three seconds. - The woman turns the lamp off herself. - The lamp does not switch off before her hand reaches the switch. - After the lamp turns off, the lighting changes realistically. - The woman turns away and lies down. - The man remains on his back, visibly resigned. - Preserve the bedroom architecture and Eiffel Tower window view. - No additional characters, subtitles, narration, or on-screen text. ## FINAL DIRECTORIAL INTENTION The comedy must feel natural, not exaggerated. The man is not trying to upset his girlfriend. He gives the perfect romantic answer twice. The woman insists on hearing a celebrity name, then immediately becomes jealous. The humor comes from the contradiction between her promise and her reaction. The final lamp-switching action is the punchline. End with the man silently realizing that he should never have answered the question.