[AI Action Short] Supernatural Awakening

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FORMAT 002 — PHYSICS-DRIVEN CONTINUITY PROMPT KOREAN CLASSROOM SUPERNATURAL AWAKENING VERSION 7 — CAMERA & ACTION CONTINUITY DURATION: EXACTLY 30 SECONDS ASPECT RATIO: 16:9 FRAME RATE: 24 FPS STYLE: ULTRA-PHOTOREALISTIC LIVE ACTION ================================================== 01. REFERENCE MAP ================================================== @image1 = FEMALE PROTAGONIST. The only uploaded reference image. Preserve her exact facial identity, light-blonde bangs, two long blonde braids, skin tone, body proportions and clothing. OUTFIT: Navy blazer with gold buttons and crest. Light-blue collared shirt. Navy striped tie. Gray pleated skirt. Black knee-high socks. Black leather loafers. Same earrings and necklace. All supporting performers are generated from the descriptions below. All principal performers are adult actors aged 21 or older. ================================================== 02. CHARACTER LOCK ================================================== FEMALE PROTAGONIST — AGE 22 Before awakening: Terrified, trembling, withdrawn. Head lowered on her desk. Quiet, hesitant breathing. During awakening: Eyes roll upward. Dense irregular black branching marks spread across cheeks, temples and forehead. Her face remains recognizable as @image1. During action: Explosive supernatural speed. Instinctive defensive movement. Unnaturally powerful but coherent reactions. No smiling or heroic poses. After awakening: Face returns to normal. Breathing heavily. Confused and frightened by her own power. VOICE: Young adult Korean female voice. Soft, airy, medium-high pitch. Natural pronunciation. Trembling during her plea. Sharp involuntary scream at 00:06. MALE A — AGE 22 Short black hair. Average athletic build. Navy school-style blazer. White shirt. Loose dark tie. Dark trousers. Mocking and aggressive. Initially behind the female's desk. Pulls her braid and leans close to her ear. VOICE: Young adult Korean male. Medium-low pitch. Casual, taunting delivery. MALE B — AGE 23 Messy medium-length black hair. Lean build. Navy school-style blazer. White shirt. Dark trousers. Initially beside the desk. Kicks the desk. Reacts with fear during transformation. VOICE: Young adult Korean male. Slightly rough, medium pitch. Sudden frightened stammer. MALE C — AGE 22 Short dark hair. Tall athletic build. Navy school-style blazer. White shirt. Dark trousers. Initially near the center aisle. Joins the confrontation later. All supporting characters retain their identities and costumes. ================================================== 03. CLASSROOM SPATIAL MAP ================================================== Realistic Korean classroom. LEFT: Large windows with cream curtains. Natural cloudy daylight. Female's starting desk near windows. FRONT: Green chalkboard. Teacher's podium. REAR: Wooden cabinets. Green noticeboards. Classroom entrance. CENTER: Rows of wooden desks. Metal-framed chairs. Narrow walking aisles. Maintain identical room geography across all camera angles. Do not reverse the positions of the windows and chalkboard. Objects damaged during action remain displaced afterward. ================================================== 04. KOREAN DIALOGUE LOCK ================================================== 00:03 — MALE A: “야, 반응 좀 해봐, 재미없게.” Mocking, casual, slightly amused. 00:05 — FEMALE: “하... 하지 마...” Soft, trembling, frightened. 00:08 — MALE B: “뭐, 뭐야 씨발!” Startled, frightened, stammering. Exactly three spoken lines. No additional dialogue. Natural Korean lip synchronization. ================================================== 05. CAMERA & EFFECTS TIMELINE ================================================== 00:00–00:01.5 SHOT 01 — HAIR PULL CAMERA: Frontal medium close-up across the desk. Slightly low eye level. The female lies hunched over her desk, her face near her folded arms. Male A stands behind her. He grips one blonde braid and pulls backward once. Her head follows the tension. Her shoulders tense. Keep the pulling hand, taut braid and female reaction visible in the same composition. 00:01.5–00:02.5 SHOT 02 — DESK KICK CAMERA: Medium-wide three-quarter side angle. Male B kicks the desk leg once. His foot reaches the desk before the desk moves. The desk shifts. A notebook slides. The female flinches. Do not send the desk airborne. 00:02.5–00:04.0 SHOT 03 — INTIMIDATION CAMERA: Tight two-shot from the desk side. Male A leans close to the female's ear. At 00:03: “야, 반응 좀 해봐, 재미없게.” His face enters from screen right. The female remains hunched. Male A releases her braid before leaning closer. 00:04.0–00:06.0 SHOT 04 — FEAR CAMERA: Tight frontal face close-up. Almost static. The female's blonde bangs partly cover her eyes. Her lips tremble. At 00:05: “하... 하지 마...” A brief nervous breath interrupts her speech. Her eyelids twitch. No supernatural markings yet. 00:06.0–00:08.0 SHOT 05 — TRANSFORMATION CAMERA: Frontal close-up widening into a medium shot. The female abruptly throws her head backward. She screams. Her eyes roll upward, revealing pale unfocused eyes. Dense irregular black branching marks spread beneath the skin across her cheeks, temples and forehead. Her braids swing backward from the head movement. The surrounding males recoil within the same wider composition. The female retains @image1's face. 00:08.0–00:10.5 SHOT 06 — HORROR REACTION CAMERA: Frontal medium close-up. Wooden cabinets and noticeboard behind. At 00:08, Male B shouts: “뭐, 뭐야 씨발!” Male A retreats. Male C steps backward. The transformed female slowly lowers her head. Her pale eyes and black facial marks remain clearly visible. She rises from the desk. Hold the unsettling expression before the action begins. 00:10.5–00:12.5 SHOT 07 — FIRST SPEED BURST CAMERA: Fast lateral tracking from medium shot into classroom wide shot. The female initiates a sudden sprint from her desk toward Male A. Show her foot pushing off the floor. Her braids trail behind with realistic inertia. Male A attempts a defensive movement. She performs a rehearsed supernatural counter. Male A recoils backward toward the rear classroom area. The camera follows the movement. Show the starting position, movement direction and reaction. 00:12.5–00:14.5 SHOT 08 — CONTINUOUS CLASSROOM MOVEMENT CAMERA: Dynamic medium-wide shot, tracking toward the wooden cabinets. Male A completes his controlled fall. The female immediately redirects toward Male B. Male B approaches from the center aisle. The female shifts her weight and avoids his simulated strike. A nearby chair overturns after Male A passes it. Paper begins scattering. The classroom damage accumulates. 00:14.5–00:16.5 SHOT 09 — SECOND COUNTER CAMERA: Low-angle side shot, windows visible in the background. Male B performs a rehearsed forward striking motion. The female pivots outside his attacking line. She performs a rapid turning counter. Male B reacts backward toward the rear cabinets. Show the pivot, counter, reaction and travel direction. Her braids follow the rotation. No instant location change. 00:16.5–00:18.5 SHOT 10 — THIRD ATTACK CAMERA: Low-angle wide shot. Multiple performers visible. Male C approaches from the opposite classroom aisle. He performs a controlled kick. The female lowers her upper body, avoiding the apparent contact. She rises into a fast turning defensive movement. Male C recoils toward a nearby desk. The desk shifts only after his movement reaches it. Books and paper scatter. 00:18.5–00:20.5 SHOT 11 — RAPID ACTION TRANSITION CAMERA: Fast lateral tracking shot. Natural foreground motion blur. The female continues moving through the classroom. Male B completes his fall near the cabinets. Male C stumbles near displaced desks. The camera follows the female through the center aisle. No new attack occurs without an approaching opponent. Ceiling dust becomes visible as the environment vibrates. 00:20.5–00:23.5 SHOT 12 — FINAL ACTION CLIMAX CAMERA: Wide shot facing the front chalkboard. Male A has recovered sufficiently to approach from the front aisle. The female turns toward him. He performs a rehearsed forward attack. She pivots, jumps and executes a controlled high turning kick illusion. ACTION: Male approaches → female plants support foot → female rotates → kicking leg rises → simulated contact → Male A recoils → controlled stunt-assisted rotation → protected landing. Keep both performers fully visible during the crucial movement. The apparent supernatural impact causes nearby lightweight desks and chairs to shift. Loose paper scatters outward. Ceiling fixtures vibrate. Small fragments fall. The force direction must match the male's backward movement. No arbitrary energy beams. No unrelated floating objects. 00:23.5–00:25.5 SHOT 13 — TRANSFORMATION FADES CAMERA: Frontal medium close-up. The camera becomes steadier. The female stands in the damaged classroom. Her breathing is heavy. The dark markings fade from her cheeks and forehead. Her eyes gradually return to their normal appearance. Her expression changes from intense to confused. Dust and paper continue falling in the background. 00:25.5–00:28.0 SHOT 14 — DISCOVERY CAMERA: Stable frontal medium shot. The female looks down. She slowly raises both hands. Her fingers tremble. She examines her palms. She looks frightened by what she has just done. Her face is fully normal. Her braids hang naturally over the navy blazer. No smile. No dialogue. 00:28.0–00:30.0 SHOT 15 — FINAL MOVEMENT CAMERA: Frontal medium shot, becoming a closer composition as the female moves forward. She looks away from her hands. She surveys the damaged classroom. Her eyes widen in disbelief. She takes a few hesitant steps toward the camera. Her breathing remains audible. A final sheet of paper falls behind her. CUT EXACTLY AT 30 SECONDS. ================================================== 06. PHYSICAL CONTINUITY ================================================== Every action follows: VISIBLE INITIATION → MOVEMENT → SIMULATED CONTACT → REACTION → TRAVEL → CONTROLLED LANDING. Do not skip the travel phase. Male A: Starts behind the desk. First falls toward the rear. Recovers during the middle action. Approaches again for the final stunt. Male B: Starts beside the desk. Approaches from center aisle. Falls near rear cabinets. Male C: Starts near center aisle. Attacks from the opposite aisle. Falls near displaced desks. No simultaneous unexplained falls. No characters teleporting. Do not change the classroom geometry. Do not reset displaced desks between shots. No unexplained airborne bodies. ================================================== 07. SUPERNATURAL EFFECTS CONTINUITY ================================================== 00:00–00:06: Normal appearance. 00:06–00:08: Eyes roll upward. Black branching marks emerge. 00:08–00:23: Pale eyes and black facial markings. Supernatural movement speed. 00:23–00:26: Markings gradually disappear. Eyes return to normal. 00:26–00:30: Normal @image1 face. Maintain the same facial identity throughout the transformation. No monster-face replacement. No laser eyes. No fireballs. ================================================== 08. SOUND DESIGN ================================================== Natural classroom ambience. 00:00: Hair and fabric movement. Female's nervous breathing. 00:02: Desk impact and sliding books. 00:03: Male A Korean dialogue. 00:05: Female Korean dialogue. 00:06: Sudden female scream. Low-frequency supernatural rumble. 00:08: Male B Korean dialogue. 00:10–00:23: Rapid footsteps. Fabric movement. Controlled cinematic impact effects. Chair and desk movement. Paper scattering. Subtle debris sounds. 00:23–00:30: Heavy breathing. Falling paper. Small fragments settling. No background music. No subtitles. No narration. ================================================== 09. REALISM & NEGATIVE CONSTRAINTS ================================================== Realistic skin pores. Natural facial asymmetry. Subtle imperfections. Natural eye reflections. No plastic skin. No waxy skin. No beauty-filter appearance. No different female face. No black-haired protagonist. No missing blonde braids. No changing navy blazer. No changing gray skirt. No character duplication. No changing male identities. No changing classroom layout. No unexplained falling. No teleportation. No disconnected action cuts. No sudden reversal of attack direction. No unsupported levitation. No graphic injuries. No blood. No gore. No random camera spinning. No excessive slow motion. No unreadable action. No extra dialogue. No subtitles. No text overlays. No watermarks.